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The first five minutes introduce the protagonist, Charles Reed, to Mister Robert Throgmorton, an important character who appears to be half-ape, half-human. Where 2018’s Call of Cthulhu tries to carve out a small space to tell its own stand-alone story that tucked itself into the already existing cosmic lore, The Sinking City feels like it’s picking up eight movies into a Lovecraft cinematic Cthu-niverse, delivering a concentrated dose of its distinctive flavor. The Sinking City takes steps into genre-refreshing territory in order to set it apart from its Lovecraftian peers.
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